存在之悲--论《从莫斯科到佩图什基》的作者形象

The grief of existence--the image of the author of Moscow—Petushki

《从莫斯科到佩图什基》是韦涅季克特·叶罗费耶夫的代表作,被世人赞誉为俄罗斯后现代主义文学的开山之作。这部起初饱受争议、后来大放异彩的作品凝聚了作者对个体生存的困境与悲剧的深刻思考。作者、讲述人和主人公共用一名,讲述人和主人公的"我"与作者本人的形象高度重合。本文借助维诺格拉多夫的"作者形象"说,从语层特征、演员面具、视角特点三个方面分析与概括该作中的作者形象。

Moscow—Petushki is an outstanding masterpiece of the famous Soviet writer Venedikt Yerofeyev of the 20 th century,which is praised by the world as a pioneering work of Russian postmodernism.This work was controversial at the beginning,but later became world-famous.It embodies the author’s deep thoughts on the plight and tragedy of individual survival under the disaster of the times.The name of the author,narrator,and protagonist of the work is the same.The image of the narrator and protagonist is highly consistent with the image of the author himself.With the help of the famous"author image"theory of Soviet scholar B.B.Vinogradov,this article analyzes and summarizes the author’s image from three aspects:the characteristics of the language layer,the mask of actors,and the features of perspective.