摘要
新中国戏改是中华人民共和国成立以后,党和政府在文艺领域进行的戏曲改造运动。戏曲改造以毛泽东《在延安文艺座谈会上的讲话》精神为纲,遵循“改戏、改人、改制”的基本方针,把社会主义新中国的革命文艺精神注入戏曲舞台。通过改编传统戏、新编历史剧、新编现代戏等方式,塑造和建构了一批优秀和经典的妇女艺术形象。这是新中国性别文化传播实践在戏曲艺术领域的有益探索和实践,为新时代社会主义妇女艺术形象建构和传播提供了可资借鉴和传承的宝贵经验。
The drama reform of new China was an art reform movement led by the Communist Party of China and the Chinese government after the founding of People's Republic of China in compliance with the spirit of Mao Zedong's Talks at Yan'an Forum on Literature and Art.It had inherited the excellent essence of the ongoing opera reform proceeded down modern China,and had portrayed many excellent classic female images on stage as well which has become the cherished legacy in the history of new Chinese opera.Such female artistic image had been not only the results of socialist culture leadership,but also the worthy practice and exploring of new Chinese gender communication theory on operatic art stage.It had laid the foundation for the presentation of female artistic image,also settled the normal form for the communication of the socialist gender culture.
出处
《中华女子学院学报》
2021年第4期76-83,共8页
Journal of China Women's University
基金
中华女子学院博雅课程建设项目“京昆欣赏”阶段性研究成果,项目编号:ZJG1090602。
关键词
新中国戏改
妇女艺术形象
妇女解放
男女平等
性别传播
drama reform of new China
women's artistic image
women's liberation
gender equality
gender communication