梁宗岱与中西诗学精神的汇通

Liang Zongdai and the Confluence of Chinese and Western Poetics

五四时期在对西方诗学接受的学者中,梁宗岱无疑是十分独特的一个。有学者说他是个象征主义者,但梁宗岱并非全盘西化的学者。因为他的出发点仍是中国的诗歌创作,他把象征主义当作一种艺术理想和创作原则,引入西方诗学精神如宇宙意识,来纠正当时新诗发展过程中的弊病,为新诗的发展做出了贡献。其次虽留学海外多年,但他的诗学体系在内在精神和外在形式上都与中国传统诗学精神紧紧相连,努力赋予中国传统诗学现代意义。此外,在对西方的接受过程中,梁宗岱也以极为开阔的视野和思维,实践并实现了中西诗学的汇通。

Among the scholars who accepted Western poetics during the May Fourth Movement, Liang Zongdai is undoubtedly a very unique one. Some scholars say that he is a symbolist, but Liang Zongdai is not a scholar who is completely Westernized. Because his starting point is still Chinese poetry creation, he regards symbolism as an artistic ideal and creative principle, and introduces western poetic spirits such as cosmic consciousness to correct the defects in the development of new poetry at that time and contribute to the development of new poetry. Contributed. Secondly, although he has studied abroad for many years, his poetic system is closely connected with the spirit of traditional Chinese poetics in both the inner spirit and outer form, and he strives to give modern meaning to Chinese traditional poetry. In addition, in the process of accepting the West, Liang Zongdai also practiced and realized the integration of Chinese and Western poetics with an extremely broad vision and thinking.