宋代龙泉窑青瓷“半刀泥”鹅纹刻划研究

A Study on Goose Pattern of “Half Knife Mud” on Celadon of Song Dynasty Longquan Kiln

南宋时期的龙泉青瓷以具有独特人文气质的青釉色而达到巅峰,而被此成就所覆盖的宋代龙泉窑青瓷“半刀泥”刻划技艺却鲜被学术界关注。本文以大批量龙泉窑口遗存残片标本为研究对象,对其独具江南特色的刻划装饰风貌进行剖析研究。重点以鹅纹作为个案,解读鹅纹刻划实物纹饰取自然生活形象之精妙,处理“半刀”写意划法之有序,青青釉色融合精微之奇妙,借此来认知宋代龙泉窑“半刀泥”审美情趣及精湛工艺。同时,从国画白描的角度分析这种纹饰的造型、构图、线条、技法等特征,挖掘民间技艺的传承发展路径及祖先的智慧,并通过研究与学习,将传统的工艺技术及装饰纹样运用到现代的创新实践中。

Longquan celadon in the Southern Song Dynasty reached its peak with its unique glaze color of humanistic temperament.However,the“half knife mud”carving technique of Song Dynasty Longquan celadon covered by this achievement has received little attention from academic circles.In this paper,a large number of remains of longquanyaokou specimens as the research object,its unique Jiangnan characteristics of the carving decoration style analysis.Focusing on the goose pattern as a case study,this paper interprets the goose pattern's depiction of real objects,takes the subtlety of natural life image,deals with the order of“half knife”freehand brushwork,and the wonderful fusion of green and green glaze color,so as to understand the aesthetic taste and exquisite craft of“half knife mud”of Longquan kiln in Song Dynasty.At the same time,it analyzes the characteristics of this kind of pattern from the perspective of traditional Chinese painting,Mining the inheritance and development path of folk art and the wisdom of ancestors, and through research and learning, the traditional technology and decorative patterns are applied to modern innovation practice.