摘要
随着电影艺术的大众化,戏剧艺术逐渐走向小众。表演艺术的训练方法经历长达一个世纪的演变后,有意无意中从基于身体开发的解放训练走向了基于官能心理的感知训练。这种变化,不仅成为表演艺术走出戏剧,扬帆远航的必然,更为电影表演训练方法作为一种独立的且面向银幕表演的训练方法,提供了自我辩护的基础和机会。
With the popularization of film art, dramatic art gradually becomes minority. After a century of evolution, the training methods of performing arts have changed from the liberation training based on body development to the perceptual training based on Functional Psychology. This change is not only the necessity for performing arts to go beyond drama and theatre to sail afar, but also provides the basis and opportunity for the self-Defense of the film performance training method as an independent, screen-oriented actor training method.
出处
《戏剧(中央戏剧学院学报)》
CSSCI
北大核心
2021年第3期127-139,共13页
Drama:The Journal of the Central Academy of Drama
关键词
表演训练
身体开发
官能心理感知
电影表演
自我辩护
performance training
body development
functional psychology perception
film Performance
self-defense