《告别马焦拉》的代际伦理叙事特征

The Ethical Narrative Features of Farewell to Matyora

在拉斯普京的《告别马焦拉》(1976)中,以达丽娅为代表的老一辈是乡村秩序、乡村文化的体现者,在他们身上承载了作家对乡村文化的认同和捍卫。在叙事上,作家通过达丽娅、巴维尔和安德烈三代人的形象较为全面地呈现了他们对搬离马焦拉的态度,因此在代际伦理视域中分析代际关系,代际差异成为我们在本文重新解读《告别马焦拉》的新视角。以空间和时间为向度,阐释老中青三代人在关于留在马焦拉还是离开马焦拉的选择中,在向前还是后退的选择中表现出的对现代化进程接受和理解上的冲突,以此揭示作家的文化保守主义和反现代性叙事特征。

In Raspukin Farewell to Matyora(1976),the older generation represented by Dalia,is the embodiment of the rural order and rural culture,and they carry the writer’s identification with and defense of rural culture.In terms of narration,the writer presents intergenerational attitudes toward moving away from Matyora more comprehensively through the images of Dalia,Bavel and Andrei.Therefore,for analyzing intergenerational relations in the intergenerational ethical perspective,intergenerational differences have become a new perspective for us to reinterpret Farewell to Matyora.From temporal and spatial dimensions,we will explain the conflict of acceptance and understanding of the modernization process that the three generations have shown in the choice of staying in Matyora or leaving Matyora,in the choice of moving forward or backward,so as to reveal the writer’s cultural conservatism and anti-modern narrative characteristics.