和顺“牵绣”技艺特征及其纹样审美意蕴

The Echnique of“Pull Embroidery”in Heshun and Its Application in Tourism Textile Souvenirs

以保护和传承山西和顺地区"牵绣"这一非物质文化遗产为宗旨,通过对和顺县的实地调研与文献资料查阅,追溯了"牵绣"的发展历史,分析了其刺绣技艺流程与特征,得出牵绣基底制作及其边缘处理具有特殊性;刺绣工具呈现多样化;多采用小片拼掇技法组成大片绣样。剖析了牵绣纹样审美意蕴,得出牵绣最具代表性的纹样是虎头葫芦;绣品常采用厚重浓郁的对比色,布局对称、均衡;多种吉祥纹样紧凑构图使得画面饱满立体;现代牵绣纹样在继承传统牵绣纹样特点的同时又具有创新性。研究表明,牵绣作为晋绣的重要代表,具有一定的传承与推广应用价值。

With the purpose of protecting and inheriting the"pull embroidery"intangible cultural heritage of the Heshun area in Shanxi,through field investigation and literature review in Heshun County,the development history of"pull embroidery"has been traced,and the embroidery technique process and characteristics are analyzed.It can be concluded that the production of the base for drawing embroidery and its edge treatment are special;the embroidery tools are diversified;the small piece stitching technique is often used to form large pieces of embroidery.After analyzing the aesthetic meaning of the drawing embroidery patterns,it is concluded that the most representative pattern of drawing embroidery is the tiger head gourd;embroidery often adopts thick contrasting colors,symmetrical and balanced layout;the compact composition of various auspicious patterns makes the picture full and dimensional;modern pull embroidery patterns inherit the characteristics of traditional pull embroidery patterns while being innovative.Research shows that as an important representative of Jin embroidery,pull embroidery has a certain value for inheritance and promotion.