共通语境下中日左翼政治讽刺诗的文本关联及诗学共构——以任钧和中野重治为中心

Textual Association and Poetic Co-constructionof Chinese and Japanese Left-wing Political Satire in Common Context——Focusing on Ren Jun and Nakanoshigeharu

作为世界无产阶级诗歌的组成部分,20世纪二三十年代的中日左翼政治讽刺诗,在理论建设、文本世界、诗学精神等方面均有着密不可分的关系。但现代讽刺诗长期处于被漠视的尴尬处境,即使是中日左翼政治讽刺诗也极少有论者对其系统地进行比照性审视。文章以任钧和中野重治的政治讽刺诗为考察中心,主要借助诗歌文本分析,探察共通语境下中日左翼政治讽刺诗的文本关联及诗学共构,以期找寻中日左翼诗歌共生与发展的时代特征,为中日左翼诗学研究提供新的切入视角。

As a part of the world proletarian poetry,the Left-wing political satirical poems of China and Japan in 1920 s and 1930 s are closely related in theory construction,textual world,poetic spirit and other aspects.But modern satirical poems have long been ignored,even the political satirical poems of the Left-wing in China and Japan have rarely been systematically compared and examined.Focusing on the political satire poems of Ren Jun and Nakanoshigeharu,this paper mainly explores the textual association and poetic co-construction of Chinese and Japanese Left-wing political satire in common context,in order to find out the characteristics of the symbiosis and development of Left-wing poetry in China and Japan,and provide a new perspective for the study of Left-wing poetry in China and Japan.