摘要
聊斋俚曲不仅有人民性的思想内容,艺术形式的人民性特点也有着突出的表现。内容的生活化、语言的大众化和声腔的时俗化,使之更贴近人民生活,更容易被劳动人民接受;摒弃文言,改用民间白话俚语,放弃正统的南北曲而采用民间流行小调,表现的又是百姓日常生活中所关心的事情。聊斋俚曲的人民性达到了“借嬉笑为怒骂,化腐朽为神奇”的目的,成了真正为百姓而写又为他们所欢迎的文艺作品。
Liaozhai folk songs not only have the ideological content of the people's character,but also have the outstanding performance of the people's character of the artistic form.The content of life,language popularization and voice vulgarization make it closer to people's life and easier to be accepted by the working people;Instead of classical Chinese,they use folk slang,abandon the orthodox northern and southern songs,and adopt popular folk tunes,which show the things that people care about in their daily life.The popular character of Liaozhai folk songs has achieved the goal of“turning laughter into abuse and decadence into magic”.It has become a literary work that is really written for the common people and welcomed by them.
作者
王延永
陈玉琛
WANG Yan-yong;CHEN Yu-chen(Zibo Culture Center,Zibo 255095,China)
出处
《蒲松龄研究》
2021年第2期99-106,共8页
Study on Pu Songling
关键词
蒲松龄
聊斋俚曲
人民性
艺术内容
艺术形式
Pu Songling
Liaozhai Slang
People's Character
Art Conten
Art Form