《聊斋俚曲集》中的修辞格和修辞效果初探

An Analysis of the Rhetoric and Rhetorical Effects in Liaozhai Folk Play Collection

《聊斋俚曲集》是蒲松龄使用淄川清代民间流行的曲调和方言土语创作的下里巴人的代表作,此曲集运用了丰富的修辞格,其中出现次数较多且有代表性的是反复、歇后语和比喻。这些修辞格的运用,一方面使得聊斋俚曲在叙事、讽刺和情感发泄中的艺术表现力进一步加强,达到了曲体精炼简洁、通俗易懂、讽刺入骨的效果;另一方面也侧面反映了蒲松龄对当时社会的痛恨和怀才不遇的悲愤之情。对这极具代表性的三种修辞格进行具体分析和归纳,可探究《聊斋俚曲集》的修辞格的作用和价值。

Liaozhai Folk Play Collection is Pu Songling's representative work of xialibaren who used the popular tunes and dialects of Zichuan in Qing Dynasty.This collection uses a wealth of rhetorical devices,among which repetition,allegorical sayings and metaphor are the most representative.The use of these figures of speech,on the one hand,makes the artistic expression of Liaozhai Folk Play in narrative,satire and emotional venting further strengthened,and achieves the effect of concise,easy to understand and satire;On the other hand,it also reflects Pu Songling's hatred of the society at that time and her indignation at her failure to meet her talents.Through the concrete analysis and induction of the three representative figures of speech,we can explore the function and value of the figures of speech in Liaozhai Folk Play Collection.