摘要
"在场主义"散文曾经走红文坛,本文深入分析了在场散文在"推倒"与"重建"方面的贡献和问题,进一步延伸和拓展"在场"的含义,提出"在场"就是寻求创作自由的过程,即散文创作者的自由精神和对历史现实的积极介入姿态,凸显被各种权力话语遮蔽和垄断了的人生以及历史的真相这一观点。本文还指出在场散文流派的辨识性含混不清以及所面对的危机。
Essays of Anwesenheit have been quite popular in literary area in recent years. This paper deeply analyzes their contributions and problems of"overturn"and"rebuilding",and further extends the meaning of "anwesenheit"and puts forward that"anwesenheit"is the process of seeking the freedom of creation. It means that the free spirit of the prose creators and the active attitude of intervening in the historical reality highlight the view that the truth of life and history is obscured and monopolized by authoritative voices. Besides,it also objectively points out the identifiable ambiguity of the anwesenheit essay schools and the crisis they are facing.
作者
郑阿平
ZHENG Aping(School of Literature and Media,Dongguan University of Technology,Dongguan 523808,China)
出处
《东莞理工学院学报》
2021年第4期38-42,共5页
Journal of Dongguan University of Technology
关键词
在场散文
散文性
介入性
自由
辨识性
Essays of Anwesenheit
nature of essay
intervention
freedom
recognition