文化身份与声音表达:广州分春馆的南派诗词吟诵传统

The Practice of Poetry Chanting by the Fenchunguan(分春馆)Poets in Guangzhou

当代广州分春馆诗人通过诗词吟诵实践,利用传统声乐艺术定义、建立自己的群体身份认同。这些诗人通过对吟诵流派的建构或再发现,在全国和本地的文学圈子中成功强化了自己的独特定位,并且让诗词吟诵成为了一种具有认受性的行为。诗歌吟诵具有实践、美学、社会、个人等多重意义,不仅在促进声乐艺术的即兴性和旧体诗的创作方面起到重要的作用,而且对于吟诵者自身来说,也是在现代化社会中一种体现自我的创造性力量。

This article is about the practice of poetry chanting by the Fenchunguan(分春馆)poets in contemporary Guangzhou and how they use this traditional vocal art to help define and establish their group identity.Through the construction or rediscovery of a chanting school,these poets have succeeded in strengthening their unique position in the national and local literary circles and have made chanting a legitimate practice.Embedded with practical,aesthetic,social and personal meanings,chanting not only plays a significant role in promoting the spontaneity of vocal art and classical-style poetry,but for the practitioners is also a creative force for self-realization in modernized society.