摘要
陈彦长篇小说《装台》具有明显的现实主义底色,是典型的“中国故事”的中国式“讲法”。生存、苦难、回忆是作品中直击人心的三个主题。作品围绕这三个主题,从城与乡、情与义、仁与爱三个层面书写了人间、人心、人生的艰难、温暖和美好。文章认为,《装台》不仅写出了人世间的冷暖和五味杂陈,也丰富和拓展了传统现实主义的文化内涵。
Chen Yan’s novel The Stage Shifters has a distinct realistic background,which is a typical“story of China”of Chinese“method of telling”.Survival,suffering and reminiscence are the three themes that strike the heart of the people.The novel revolves around these three themes and depicts the hardship,warmth and beauty of the human world,human heart and human life from three aspects:city and countryside,affection and righteousness,benevolence and love.The paper holds that The Stage Shifters describes the warmness and coldness,and even the fickleness of the world.It also enriches and expands the cultural connotation of traditional realism.
作者
韩伟
HAN Wei(School of Chinese Language and Literature, Xi’an International Studies University, Xi’an 710128, China)
出处
《西北大学学报（哲学社会科学版）》
CSSCI
北大核心
2021年第5期76-82,共7页
Journal of Northwest University：Philosophy and Social Sciences Edition
关键词
《装台》
生存
苦难
现实主义
The Stage Shifters
survival
suffering
realism
