双重文化视阈下的微观痛感叙述--丁燕非虚构写作论

The microscopic pain narrative:On Ding Yan’s non-fiction writing from a dual-culture perspective

近十年来,非虚构写作是国内最显著的文学潮流之一。作为这一潮流的亲历者和见证者,丁燕具有标本价值。在文化迁徙和劳动者体验的基础上,她形成了个人化、感受化、心灵化、文化视阈和细微叙事的独特风格。首先,从微观视点体察个体的生存状态与隐秘之痛。通过“近距离”“长时间”观察微观个体行为,来放大并透视当代人的生活状态和时代的关系。其次,从文化立场思考南北隔膜及其汇通。从传统与现代文明冲突中观察南北文化差异,在文化比较中展现新旧文明糅杂的社会形态。最后,以他者眼光观照西部文明与现代症候。她结合内外视界,把西部的地方性知识转换成现代性话语,揭露现代文明的侵袭和现代人的异化。在艺术上,她采用细碎的感性化语言及先锋表述,兼具真实与幻想的美感。

In the recent decade,non-fiction writing has become one of the most prominent literary trends in China.As a witness involved in this trend and experiencing it in person,Ding Yan is a representative,holding exemplary value.On the basis of her cultural migration and experiences as a worker,she has developed a unique style of individuality,sensibility,spirituality,cultural horizon,and detailed narration.First of all,she observes and senses the living state of the individual and secretive pains from a microscopic perspective.Through close and long-lasting observation of particular behaviors of the individual,she amplifies and penetrates the relationship between the living state of contemporary people and the times they live in.Secondly,she ponders over the divergence and convergence between the north and the south of China from the cultural standpoint,observing the cultural differences from the conflicts between traditional and modern civilizations and presenting the mixed social state from the perspective of cultural comparison between the old and the new.Finally,she diagnoses the western civilization and the modern syndromes from the view of the Other.By combining the internal and external horizons and by transforming the local knowledge of West China into a modern discourse,she discloses the invasion of modern civilization and alienation of modern people.In artistic terms,she adopts emotionally subtle language and avante-guarde expressions,boasting of a unique sense of beauty out of being both real and visionary.