摘要
在钱钟书的理论视域中,“理趣”是不可忽视的诗学范畴,对于文学审美意蕴的生成具有至关重要的意义。他不仅从成立基础、表现方式、审美效果这三个方面对“理趣”进行了深入的阐释,而且借助中西话语的相互比照和彼此映发全面凸显出了其作为诗学范畴的重要意义,使这个中国古典诗学范畴拥有了更为普泛的诗学价值。
In Qian Zhong-shu’s theory,“Philosophic Meaning”is a poetic category which should not be neglected because of its significance for the birth of aesthetic meaning of literature.He has deeply analysed“Philosophic Meaning”from three parts which are base,presentation and aesthetic effect.Moreover,the significance of“Philosophic Meaning”as a poetic category has been highlighted roundly with the aid of comparison between Chinese theoretic views and western theoretic views.As a result,more extensive poetic values has been explored from this traditional poetic category.
作者
孙媛
SUN Yuan(School of Literature and Communication,Shaoguan University,Shaoguan 512005,Guangdong,China)
出处
《韶关学院学报》
2021年第7期14-19,共6页
Journal of Shaoguan University
基金
广东省普通高校特色创新类项目“钱钟书‘诗禅说’研究”(2019WTSCX104)。
关键词
钱钟书
“理趣”
“理语”
Qian Zhong-shu
“Philosophic Meaning”
“Philosophic Language”
