期刊文献+

新文科建设背景下传媒艺术学建构的意义与价值 被引量:16

The Significance of Media Arts Study Under the Background of the Construction of New Liberal Arts
下载PDF
导出
摘要 传媒艺术学以各类传媒艺术形式为研究对象。在狭义上,传媒艺术主要包括了自摄影术诞生之后逐渐出现的摄影艺术、电影艺术、广播电视艺术、数字新媒体艺术等艺术形式,传媒艺术的发展经历了机械复制、电子复制和数字复制三个时代。在广义上,传媒艺术体现了一种艺术融合,它既包括各类经现代传媒和传媒技术改造了的传统艺术形式,也包括了各类上述狭义传媒艺术形式的大融合。传媒艺术学建构的意义与价值主要体现在:(1)适应技术发展的需要:在单一与融合性之间寻找结合点;(2)适应艺术发展的需要:在精英与大众性之间寻找结合点;(3)适应学科发展的需要:在裂分与整合性之间寻找结合点;(4)适应学术发展的需要:在普遍与特殊性之间寻找结合点。传媒艺术学建设的开展和不断成熟,更是依托国家新文科建设的宏阔进程;其建设高度遵循并体现了新文科建设中对于服务国家战略、回归本土原创、鼓励学科融合、夯实基础理论的要求和目标。而注重服务国家战略,以及注重双主体建构、融合性发展、体系化建设,是传媒艺术学未来自觉支撑新文科建设进程、展示新文科建设成果的努力方向。 Media arts study considers all kinds of media arts forms as its research objects.In a narrow sense,media arts mainly include photography art,film art,radio and television art,as well as digital new media art.The development of media arts has experienced three stages:mechanical reproduction time,electronic reproduction time and digital reproduction time.In a broad sense,media arts embody a kind of artistic convergence which includes all kinds of traditional arts forms transformed by modern media and media technology,as well as a great fusion of various media arts forms mentioned above in a narrow sense.The significance and value of the construction of media arts study are mainly reflected in the following points.First,adapting to the needs of technological development:finding a joint between dispersion and integration;second,adapting to the needs of artistic development:finding a combination between the elite and the popular;third,finding a connection point between division and integration to meet the needs of disciplinary development;fourth,finding a connection point between universality and particularity to meet the needs of academic development.The development of media arts study is based on the grand process of the construction of the new liberal arts.Media arts study highly follows and reflects the new liberal arts construction requirements and goals in sticking to local theory originality,encouraging disciplinary integration,consolidating basic theories and serving the national strategy.
作者 胡智锋 刘俊 Hu Zhifeng;Liu Jun(Beijing Film Academy,Beijing 100088,P.R.China;Communication University of China,Beijing 100024,P.R.China)
出处 《山东大学学报(哲学社会科学版)》 CSSCI 北大核心 2021年第4期163-169,共7页 Journal of Shandong University(Philosophy and Social Sciences)
基金 国家社科基金后期资助项目“传媒艺术刍论:基于特征的视角”(19FYSB011)。
关键词 新文科建设 传媒艺术 传媒艺术学 艺术融合 New liberal arts construction Media arts Media arts study Arts convergence
  • 相关文献

参考文献5

二级参考文献23

  • 1朱青生.实验的艺术与实践的艺术[J].美苑,2000(4):11-12. 被引量:7
  • 2李心峰.艺术学的构想[J].文艺研究,1988(1):6-14. 被引量:48
  • 3张海源.认识论与本体论·哲学基本问题[J].人文杂志,1995(2):11-15. 被引量:3
  • 4金元浦.文艺学的问题意识与文化转向[J].宝鸡文理学院学报(社会科学版),2007,27(1):51-58. 被引量:3
  • 5[美]大卫·理斯曼.《孤独的人群》[M].南京大学出版社,2002年版.第84页.
  • 6[法]让·鲍德里亚.《生产之镜》,仰海峰译,中央编译出版社2005年版,第19-21页,第3页注释1,第39—40页.
  • 7刘方喜选编.《消费社会》,中国社会科学出版社,2011年,第13、70、10页.
  • 8[法]让·波德里亚:《象征交换与死亡》,车槿山译,译林出版社2009年版,第173页以下.
  • 9Huyssen, Andreas. The Cultural Politics of Pop : Reception and Critique of US Pop Art in the Federal Republic of Germany. New German Critique, no. 4, Winter 1975. p. 81.
  • 10Daniel Palmer. Contemplative Immersion: Benjamin, Adorno & Media Art Criticism. Transformations, issue no. 15, November 2007.

共引文献104

同被引文献150

相关作者

内容加载中请稍等...

相关机构

内容加载中请稍等...

相关主题

内容加载中请稍等...

浏览历史

内容加载中请稍等...
;
使用帮助 返回顶部