参与式艺术的问题意识与主体重塑

The Problem Consciousness and Subject Remodeling of Participatory Art

参与式艺术是近些年艺术理论界和批评界讨论的热点话题。美国批评家格兰特·凯斯特认为参与式艺术需要保持激进性,即重构传统美学意义上的艺术自律观念,以介入性的对话与合作方式,作用于特定场域的文化结构。基于凯斯特的观点,本文认为,真正具有公共性的参与式艺术是特定场域与特定问题的结合,而且最终要达到重塑参与主体的目的。

Participatory art has been one of the hot topics in art theory and critique for years.American theorist Grant Kester argues that this type of art should keep its radicalism,that is,to reconstruct the traditional concept of art autonomy,and engage in the cultural construction of a specific site with dialogues and collaborations.Based on Kester’s view,this paper argues that the real public participatory art should not only engage specific sites and issues,but also reshape the subjectivity of the project participants.