设计符号学视域下的近代淄博大鱼盘纹饰语意维度研究

Study on Semantic Dimension of Modern Zibo Big Fish Plate Decoration from the Perspective of Design Semiotics

淄博大鱼盘作为淄博地区广泛使用的日用瓷,其最醒目的地方在于它浓郁的山野民俗气息。鱼盘纹样特征的变化集中展现了当时的民间生活风貌、审美风格以及装饰技艺的演变。自清末以来,随着民间创作的不断发展,使其无论在内容、形式还是工艺方面都有了不同程度的探索和发展,并逐渐成为淄博地区一种极具代表性和符号化的陶瓷作品。本文试从设计符号学的语意维度对淄博大鱼盘鱼纹饰的表象特征、内在意义和设计思路三个方面展开初步研究,以期更加深入地了解淄博大鱼盘的文化价值和艺术价值,促进鱼纹盘文化的传承。

As the daily porcelain widely used in Zibo area,the most striking part of the big fish dish lies in its rich folk custom flavor.The changes in the fish dish pattern characteristics reflected the evolution of the folk life style,folk aesthetic s tyle and decorative skills at that time.Since the end of Qing Dynasty,with the continuous development of folk creation,it has been explored and developed with different degrees in terms of content,form and craft,thus gradually becoming representative and symbolic ceramic works in the Zibo area.This paper was aimed to conduct a preliminary study on the representation characteristics,internal meaning and design ideas of Zibo fish grain plate from the semantic dimension of design semeiology,so as to have a deeper understanding of the cultural value and artistic value of Zibo fish plate and promote the cultural inheritance of fish grain plate.