摘要
主要从海西画法在清代宫廷艺术中的兴起与发展、宫廷画师参与设计画稿画样、线法画的流行与推广等方面论述海西画法与珐琅彩瓷画中潜在的联系与互动,研究清代珐琅彩在西学东渐的文化交流中呈现出新的时代变化和艺术风尚,从而探索康雍乾时期珐琅彩瓷画从装饰性到画意性再到极致性表达的艺术蜕变。
Possible connection and interaction between Hercynian painting techniques and enamel porcelain painting was discussed,from the aspects of the rise and development of the Hercynian paintings of palace art in the Qing Dynasty,the participation of the palace painters in the design of drawings and patterns and the popularity and promotion of line painting s.The evolution in the new era and artistic fashion of the enamel painting in the cultural exchange of"Western learning spreading to the East"in the Qing Dynasty were studied,in order to explore the artistic transformation of the enamel painting from decoration to painting and then to the ultimate expression in the period of Kang-Yong-Qian period.
作者
王清丽
WANG Qingli(Jingdezhen Ceramic University,Jingdezhen 333403,Jiangxi,China)
出处
《陶瓷学报》
CAS
北大核心
2021年第3期514-522,共9页
Journal of Ceramics
基金
江西省双千计划首批培养类哲学社科领军人才(青年)项目(jxsq2019203039)。
关键词
康雍乾时期
珐琅彩瓷画
海西画法
Kang-Yong-Qian period
enamel porcelain painting
Hercynian painting techniques