摘要
当今传媒时代,空间爆炸、时间高速流动,表现在艺术领域,以莱辛“诗画界限”观为代表的传统时空关系已无法解释新的时代现状,甚至这种观点本身就隐含着人为的时空二元对立。表现时间范式的语言艺术偏爱空间化描写;空间范式的图像艺术开拓表现时间流动。在突破二元对立的更高层次上,时空范式正尝试着新的对话与融合,来表现当下人们多重而丰富的时空体验。
In today’s media age,space explodes and time flows at a high speed.In the art field,the traditional space-time relationship represented by Lessing’s“poetry-painting boundary”view can no longer explain the new status quo of the times,and even this view itself implies an artificial space-time dichotomy.The language art of the temporal paradigm favors spatial depiction;the image art of the spatial paradigm explores the flow of time.On the higher level of breaking through the dichotomy,the spatio-temporal paradigm is trying out new dialogues and fusions to express the multiple and rich spatio-temporal experiences of people nowadays.
作者
王妍
WANG Yan(School of Literature,Hefei Normal University,Hefei,Anhui,230601)
出处
《河北民族师范学院学报》
2021年第3期26-32,共7页
Journal of Hebei Normal University For Nationalities
基金
国家社会科学基金青年项目“文学反讽研究”(19CZW009)
合肥师范学院2020年度引进高层次人才科研启动基金项目“从意义到主体——反讽概念的多维研究”(2020rcjj37)。
关键词
时空范式
二元对立
空间爆炸
多重时空
space-time categories
dichotomy
space explosion
multiple space-time