现实风物·归真话语·多元聚焦——日本治愈系电影叙事策略研究

REALISTIC SCENERY·RETURNING WORDS·MULTIPLE FOCUS—RESEARCH ON THE NARRATIVE STRATEGY OF JAPANESE HEALING FILMS

治愈系电影依托于日本治愈系文化体系发展而来,指能给受众带来颅内放松、情感愉悦、内心温情的影像作品。多年来,日本治愈系电影已形成较为固定的影像模式:传统美食、自然风光、亲情回归等成为疗愈现实群体的重要影像符号;在人物设置上,通常立足于现实生活以刻画底层群像;在叙事上,遵照极简主义叙事风格,在镜头空间、声音配置、人物视点聚焦等方面具有独特的审美价值,为受众营造了“乌托邦”式的幻象空间,力求建立与观众的隐性互动关系,旨在弥合“加速社会”下民众的内心失衡与伤痛。本文欲从叙事情感、叙事空间、叙事视点三方面探究日本治愈系电影的叙事策略,以期对我国治愈系影视的发展有所启发。

Healing Film is based on the development of The Japanese Healing Culture System,which refers to the image works that can bring intracranial relaxation,emotional pleasure and inner warmth to the audience.Over the years,Japanese healing films have formed a more fixed image pattern:traditional cuisine,natural scenery,family return has become an important image symbol for healing real groups;in terms of character settings,they are usually based on real life,with ordinary social characters as the main body in terms of narration,following the minimalist narrative style,it has unique aesthetic value in lens space,sound configuration,and character perspective.It creates a“utopian”illusion space for the audience,and strives to establish an implicit interactive relationship with the audience.It aims to bridge the internal imbalance and pain of the people under the“accelerated society”.This article intends to explore the narrative strategies of Japanese healing movies from three aspects:narrative sense,narrative space,and narrative perspective,in order to inspire the development of domestic healing movies.