马克思主义中国化理论成果对艺术学研究的影响力分析——基于CSSCI(1998—2020年)引用毛泽东著作论文的研究

An Analysis of the Influence of Sinicized Works of Marxism on Art——A Case Study on the Articles of CSSCI(1998—2020)Cited Works of Mao Zedong

为探究马克思主义中国化理论成果对我国艺术学研究的影响力以及相关研究现状和热点,在建党100周年之际,特别选择从毛泽东著作引用的视角入手,通过对CSSCI(1998—2020年)收录的艺术学论文引文文献进行检索,共获得388篇引用毛泽东著作的论文,以其为中心使用文献计量学等研究方法进行分析,研究结果表明毛泽东著作在我国艺术学研究领域中具有较大的学术影响力;《在延安文艺座谈会上的讲话》《新民主主义论》等在艺术学研究中被引较多,是对我国艺术学研究具有重要影响力的毛泽东著作;中国艺术研究院、中国传媒大学等机构是研究重镇,《艺术百家》《文艺研究》《当代电影》等刊载相关论文最多;通过对论文关键词的梳理:中国电影、艺术学理论、样板戏、电影创作等是研究热点。

This article explores the influence of Mao Zedong’s writings on art studies in China,presents the status quo and identifies the research hotspots.Totally,388 papers citing Mao Zedong’s writings were obtained from CSSCI Arts Citation Database(1998—2020).These papers have been analyzed by methods like bibliometric analysis.The results show that Mao Zedong’s writings have a significant influence in the field of art studies in China.“Talks at the Yan’an Conference on Literature and Art”and“On New Democracy”are two highly-cited papers that deeply influence art studies in China.Institutions such as Chinese National Academy of Arts and Communication University of China are the leading centers for art studies in China.The maximum number of papers citing Mao Zedong’s writings are published in journals like Contemporary Cinema and Hundred Schools in Art.Four research hotspots,such as Chinese cinema,art theories,Yangbanxi(model operas)and ideology,are identified with an analysis of keyword research.