论两汉音乐语词类型衍化的理路

The Theoretical Logic within Typological Derivation of Musical Phraseologies in the Han Dynasty

两汉时期,音乐语词进入一个明显的类型分化阶段。从正史乐志、子书、小学典籍,到乐舞文赋,先秦已经奠定的语词类型、乐官—乐器—乐名等级关联逻辑及各类语词的衍生理路,在两汉音乐和理论实践中出现了显隐变化,处于活跃演进状态的是乐律、动作、程式、情态语词。这些语词反映了音乐概念的历史继承性和实践拓展性,是我们把握两汉音乐理论层积发展的一个历史切片。

The deriving of musical phraseological types had an obvious tendency in the Han Dynasty.Its changes focused on the phraseological types of musical theories,movements,formulas and moods,which inherited the types,relevance and hierarchy logic about musical offcials-instruments-works from pre-Qin Dynasty.During this process,the elements of theoretical logic became dominative or hidden both in the field of musical practice and theory,which could be found in the official musical documents,books by philosophers and philologists,as well as prose-poetriss for musical instruments.These phraseologies,which reflected the historical inheritance and practical extension of the musical concepts,are combined into a historical section for us to grasp the layered development of the musical theory in the Han Dynasty.