电影的隐喻机制

The Metaphorical Mechanism of Movies

在影像外形与客观实在相似的基础上,打破影像与客体的直接关联,通过凝练、替代、移置三种方式,电影将原真性与语义学结合起来,在人类自身心理与视觉表达的切合度上,实现了新的语义学的表意功能。凝练、替代、移置之电影隐喻机制的提出,旨在走出国内传统的将电影视为一门"综合性艺术"的理论认知,摒弃电影的媒介功能只是将文学、音乐、戏剧、美术杂合在一起,完成视觉故事展现,进而在密切联系电影演进历史的基础上,通过对电影理论进行深入开发,使得电影在自身表现力和媒介美学的电影化构建上找到探索路径,以摆脱从大艺术的美学,或者普通美学的角度思考电影理论的传统路数。

The film combines authenticity and semantics that realizes a new semantic ideographic function on the expression in human's own psychology and vision based on the similarity between the image appearance and the objective reality.It has broken the direct relationship between the image and the object through the three methods of condensing,substitution,and displacement.The proposal of the film metaphor mechanism of condensing,substitution and displacement aims to break away from the traditional domestic theoretical understanding of film as a"comprehensive art",and abandoning the media function of film is only to combine literature,music,drama and fine arts to finish the completed visual story presentation.Then,based on closely linking to the history of film evolution,through the in-depth development of film theory,the exploration path,found by the film in its own expressiveness and the cinematic construction of media aesthetics,gets rid of the traditional way of thinking about film theory from the aesthetics of arts or ordinary aesthetics.