中国古代画史中“董”“展”与“董展”考——兼论隋代画家在历代画史中的演变

On"Dong","Zhan"and"Dong Zhan"in ancient Chinese painting history On the evolution of Sui Dynasty painters in the history of painting

中国古代画史上的"董""展"最早是出现在唐代张彦远的《历代名画记》中,指的是"董伯仁"与"展子虔"两位画家。而到了北宋画史《宣和画谱》中却将"董""展"演化成"董展,字伯仁",并影响了后世对于画家"董伯仁"的认知与隋朝画史的书写。可见,画史上的"董""展"与"董展"的关系以及画家"董伯仁"的形象在北宋以后历经了不同程度的演变。因此,本文将以历史性的眼光,分析"董伯仁"形象的演化过程,探讨画史上"董""展"与"董展"的关系,并试图阐释隋代画家的形象在后世画史的演变之路。

"Dong"and"Zhan"in the history of ancient Chinese painting first appeared in Zhang Yanyuan's"notes of famous paintings of past dynasties"in the Tang Dynasty,referring to two painters,"Dong Boren"and"Zhan Ziqian".However,in XuanheHuapu,the painting history of the Northern Song Dynasty,"Dong"and"Zhan"evolved into"Dong Zhan,with the word Boren",which influenced the cognition of Dong Boren and the writing of the painting history of the Sui Dynasty in the yuan,Ming and Qing Dynasties.Therefore,this paper will analyze the evolution process of dongburen image from a historical perspective,discuss the relationship between Dong,Zhan and Dong Zhan in the history of painting,and try to explain the way of the image of the painter in the Sui Dynasty in the later generations.