摘要
"建筑意"这一思想最早由建筑师林徽因提出,既富有中国传统艺术审美特质,又融合西方经典现代建筑理论,其价值历久弥新。文章针对当前城市建设同质化的困境,重拾"建筑意"理念,从建筑"形""意""境"三个层面分析了延续传统建筑文化的路径,对创造东方美学的都市图像、构建中国特色的现代建筑话语体系具有重要意义。
The concept of"Architectural Connotation"was first proposed by Phyllis Lin.It is not only incorporated the aesthetic characteristics of traditional Chinese art,but also integrated with the Western classic modern architectural theories,and its value will be unfading.Aimed at the current predicament of homogenization of urban construction,the paper restores the concept of"Architectural Connotation"and analyzes the path of continuation of traditional architectural culture from the three dimensions of architectural"form","imagery"and"artistic conception".It is of great significance to construct a modern architectural discourse system with Chinese characteristics.
作者
徐达
肖霄
张永超
靳兆腾
齐应涛
Xu Da;Xiao Xiao;Zhang Yongchao;Jin Zhaoteng;Qi Yingtao
出处
《建筑与文化》
2021年第8期66-69,共4页
Architecture & Culture
基金
国家重点研发计划课题(项目编号:2020YFC1522304)。
关键词
“建筑意”
现代主义建筑
城市化
意境
东方美学
"Architectural Connotation"
modernist architecture
urbanization
artistic conception
oriental aesthetics