摘要
本文尝试探索《醮》此一以妈祖为主题的仪式剧场并阐述其境界美学,除了对1995年至2006年演出的《醮》从事作岛论的阐明之外,也展开以道观之的三重性美学理论,并将它作为《醮》的身体观、境界美学的哲学基础。以林丽珍无垢舞蹈剧场的身体观与境界美学为例证,将其放在东西方当代剧场理论之中进行跨文化沟通考察,建构舞蹈剧场之东方哲学与修练功夫的理论。
In this article,the author explores“Jiao”,a ritual theater with the theme of Mazu,and elaborates its realm aesthetics.In addition to clarifying the works of“Jiao”performed in 1995 and 2006,the author has developed Taoist ideas.The theory of the triple nature of the view,which is used as the philosophical basis of the body view and realm aesthetics of“Jiao”,with Lin Lizhen's Wugou Dance Theater as an example,constructs the oriental philosophy of dance theater and the theory of kung fu practice.The author conducts the cross-cultural communication of Eastern and Western thoughts,and puts the body view and realm aesthetics of Lin Lizhen's Wugou Dance Theater in the contemporary theater theories of the East and the West for investigation.
作者
赖贤宗
LAI Xianzong(Research Center for Eastern and Western Philosophy and Hermeneutics,School of Humanities,Taipei University,Taipei 10478,Taiwan)
出处
《妈祖文化研究》
2021年第2期76-80,共5页
Mazu Culture Research
