摘要
铜鼓作为壮族标志性的文化符号之一,在地方文化构建中占据着重要的位置,然而在功能和意义层面上一直镶嵌于传统铜鼓文化构建中的铜鼓声,在其现代重构中呈现出基于功能性解构而“消散”的趋势。通过回溯铜鼓声不同时空场景的“在场”,从声音的文化层面考察铜鼓声在铜鼓文化构建和重构中的变化,发现铜鼓声作为“声音媒介”从传统的铜鼓文化中延续至今,虽然时代变迁中传统文化的断裂使铜鼓声作为“媒介”的内核发生了变化,但其作为“媒介”的价值依然延续。
The bronze drum is an iconic cultural symbol of Guangxi ethnic minorities. At the same time, the bronze drum occupies an important position in the construction of local culture. However, the sound of the bronze drum, which has been embedded in the construction of traditional bronze drum culture in terms of function and meaning, has gradually been "dissipating" in its modern reconstruction. By tracing back the changes in the construction and reconstruction of bronze drums, this article examines the cultural level of sound and believes that the sound of bronze drums as a "sound medium" has continued from the ancient bronze drum culture to the present day. Although the rupture of traditional culture in the changing times has caused changes in the core of the "media" of the bronze drum sound, its value as a "media" is still prominent.
作者
温雅
WEN Ya(School of Literature and Media,Hechi University,Hechi,Guangxi 546300,China)
出处
《河池学院学报》
2021年第3期98-103,共6页
Journal of Hechi University
关键词
壮族铜鼓文化
铜鼓声
消散
声音媒介
the bronze drum culture of the Zhuang
the bronze drum sound
dissipating
sound medium