间离·哲思:新世纪广西少数民族电影的诗意性叙事策略

Alienation and Philosophy:the Poetic Narrative Strategy of Guangxi Minority Films in the New Century

新世纪以来,广西少数民族电影获得了新的艺术空间。诗意的表达成为这个时期广西少数民族电影的重要内容。新世纪的广西少数民族电影仍旧在抒情化、意象化、复调性的电影空间里刻意保持一种间离;在对原生态空间与现代性想象的建构之中展现出朴素的哲思。电影创作者们执着于对异托邦的观照,又酝酿着某种人文的诗意。

Since the new century, Guangxi minority films have gained a new art space. Poetic expression has become an important content of Guangxi minority films in this period. The Guangxi minority films in the new century still deliberately maintain a kind of separation in the lyrical, imaged, and polytonic film space. In the meantime, the Guangxi minority films in the new century show unpretentious philosophical thoughts in the construction of original ecological space and modern imagination. Film creators are obsessed with the observation of heterotopia, and they are brewing a certain kind of humanistic poetry.