摘要
《融》作为沈伟远乡去国26年后的回归之作,在呈现多媒介融合的视觉盛宴的同时,着力传达《易经》中的哲学观念,体现了沈伟打通界域的尝试和艺术成就。但观众的审美经验积累、艺术感受力和文化理解力未能抵达作品"沉浸式"观演的潜在要求,反而显示了破坏力的一面。同时,《融》是沈伟域外艺术经验的移植和重塑,所体现的圆熟是形式与技术层面的积累,更为理想的艺术创造尚需时日和自省的深度。
As Shen Wei’s choreographic work created after his return from overseas,Integrate not only presents a visual feast of multi-media integration,but also illustrates the philosophical concepts from the Book of Changes,which reflects Shen Wei’s ability to break new ground by crossing borders between different domains.However,the audience’s aesthetic experience,artistic sensibility and cultural understanding fail to support"immersive"performance,which is frustrating.At the same time,Integrate stands for the transplantation and reshaping of Shen Wei’s overseas artistic experience,and reflects his mastery of form and technology.More ideal artistic creation,however,still needs time and deeper introspection.
出处
《当代舞蹈艺术研究》
2021年第2期24-27,共4页
Contemporary Dance Research
关键词
《融》
多媒介
沉浸式
技艺
文化镜像
自省
Integrate
multi-media
immersion
technique
cultural mirroring
introspection