出走的“娜拉”:《化身》的空间解读

The Leaving “Nora”: A Spatial Interpretation of Keshin

小说《化身》的女主人公雾子是否能从传统社会下的“玩偶”成功化身成为现代独立女性?以列斐伏尔的空间三一论和福柯的权力关系理论观照其女性意识成长历程,得出以下结论:随着表征空间的转换,雾子长期被压抑的女性主体意识开始发展;空间表征的变化进一步推动雾子打破原有空间秩序,开始构建其女性主体身份;最后雾子通过“出走”等一系列空间实践与父权制下的空间划清界限,化身为不屈从父权规训的独立女性,她的女性主体身份得以构建。

Can the heroine Wuzi of the novel Keshin successfully change from the“doll”in the traditional society to a modern independent woman?In light of Lefebvre’s theory of spatial triad and Foucault’s theory of power relations,this essay draws the following conclusions by tracing the development of Wuzi’s female consciousness:With the transformation of representational space,Wuzi’s long-suppressed female consciousness begins to develop;changes in representation of space propel Wuzi to break the original spatial order,and during this process she begins to build her female identity;finally Wuzi conducts a series of spatial practices including“leaving home”to distance herself from the space under the patriarchal system.Wuzi becomes a woman independent of patriarchal disciplines,and her female identity is constructed.