作为未来诗学的生产者诗学——本雅明、鲁迅的对照阅读

The Producer Poetics as a Future Poetics Genre:A Comparative Interpretation of Walter Benjamin and Lu Xun

20世纪30年代,本雅明和鲁迅不约而同地提出了一种以“生产者”为中心的现代诗学理论。这一理论认为:现代艺术正在发生深刻的变革,传统文艺的神秘性将不复存在,取而代之的是文艺的大众化和政治化;文艺的功能不再是审美,而是震惊和行动;传统的文学形式已不能适应现代政治情势,新的文学体裁正在急剧的重铸融合之中;文艺作品的作者将不再是作为创造者的作家,而是生产者。在移动互联网时代,“生产者诗学”仍具有重要的理论意义。

In the 1930s,Walter Benjamin and Lu Xun put forward a modern poetics theory centering on“producer”.This theory holds that modern literature and art is undergoing profound changes.The mystery of traditional literature and art will no longer exist and will be replaced by the popularization and politicization of literature and art.The function of literature and art is no longer of aesthetic appreciation,but of shock and action.Traditional literary forms can no longer adapt to the modern political situation,and new literary genres are being rapidly remolded and integrated.Authors of literary and artistic works will no longer be viewed as creators,but as producers.In the mobile internet era,the“Producer Poetics”still bears its theoretical significance.