艺海幽深:艺术学理论的中国经验探索--评学术新著《新编艺术原理》

An Exploration of Chinese Experience in Art Theory:A Book Review on New Principles of Art

当现代艺术学科强调理论作为独立的知识生产后,如何在艺术学理论学科内部形成自身的话语体系仍待学界不断深耕。在此背景下,学术新著《新编艺术原理》提出艺术原理研究范式的革新,跳脱单向的审美研究思维,注重理论的经验载体,通过分析和综合各个门类艺术实践,建构了以艺术创作为核心的艺术原理论证框架。此书兼具理论开拓的智慧与学科发展的视角,既注重继承中国传统艺术文脉,又辩证地纳入西方艺术理论,并转换为生动的当代理论话语,体现了显明的学科意识,展现了当代艺术学理论的中国经验探索成果。

When modern art discipline emphasizes theory as an independent knowledge production, how to form its own discourse within the discipline of art theory remains to be further explored by the academics. In this context, the new academic work New Principles of Art puts forward to innovate the research paradigm of art principles, breaks away from the one-way aesthetic thinking, emphasizes the experience carrier of theory, and constructs the theoretical framework of art with creation as the core through the analysis and synthesis of various art practices. Combining the wisdom of theoretical pioneering and the perspective of disciplinary development, the book not only inherits the traditional Chinese art contexts, but also integrates Western art theories dialectically and turns them into dynamic contemporary theoretical discourses that embody distinct disciplinary awareness and display the exploration of Chinese experience in contemporary art theories.