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传统的发明与文化的转型:当代土家族乐人文化身份的焦虑与反思 被引量:1

Traditional Creation and Cultural Transformation: Anxiety and Reflection on the Cultural Identity of Contemporary Musician of Tujia Ethnic Group
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摘要 当下土家族传统文化艺术正处于有史以来最为活跃的阶段,各类型艺术品种被不断发明与建构,且远远超过本土乐人接受、实践、推广的速度,在这种"水土不服"的状态下,催生了乐人对于自我文化身份的焦虑与敏感。在"民族边界弱化"的大文化背景下,民间艺人与非遗传承人因身份的差异性,而导致当代土家族传统音乐文化两种完全不同的传承及认知体系。只有不断强化"族性"文化身份认同,加强地区人文关怀和心理疏导才能保持土家族传统音乐文化良性循环发展。 The traditional culture and art of Tujia ethnic group is in its most active stage in history at present with art varieties constantly created and constructed that far exceed the speed of acceptance, practice and promotion of local musicians. In this state of "maladjustment", it gives birth to musicians’ anxiety and sensitivity to their own cultural identity. Under the cultural background of "weakened ethnic boundaries", the identity differences between folk artists and the successors of intangible cultural heritage lead to two completely different inheritance and cognitive systems of contemporary Tujia traditional music culture. Only by continuously highlighting the "ethnic" cultural identity and strengthening humanistic concern and psychological counseling locally, can a healthy development of Tujia traditional music culture be maintained.
作者 向婷 XIANG Ting(Hunan Normal University,Changsha,Hunan 410000,China;Jishou University,Jishou,Hunan 416000,China)
出处 《贵州大学学报(艺术版)》 2021年第4期87-92,共6页 Journal of Guizhou University Art Edition
基金 中国博士后科学基金面上项目“湘鄂交界区域土家族‘三棒鼓’文化身份转型研究”(项目编号:2020M682572) 湖南省社会科学成果评审委员会项目“当代湘西土家族民间器乐打溜子曲牌与节奏体系研究”(项目编号:XSP20YBC071)。
关键词 文化身份 土家族 民间乐人 人文关怀 cultural identity Tujia ethnic group folk musicians humanistic concern
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