摘要
在梅山文化师公教"抛牌"与道教"奏职"仪式场域中,音声的共享是其鲜明的区域文化属性的独特表达,在人神之间、众神之间以及西乐的穿插中仪式的神圣性与世俗性是梅山民间信仰文化音声观念的表征,包涵丰富的所指和意指意义。互文性主要表现在原始巫傩文化的遗存、民间山歌的运用、师公教与道教仪式文本之间的借用与交织上。
During the ceremony of Shigong’s(sorcerers’) "Paopai-zouzhi" in Meishan culture, the sharing of music and sound uniquely expresses its distinctive regional cultural attributes. The divinity and secularity among human beings, deities and western music during the ceremony are the representation of folk beliefs in Meishan culture concerning the concept of music and sound, covering rich connotations of the signifier and the signified. Intertextuality is mainly reflected in the remaining practices of primitive Nuo sorcery culture, the employment of folk songs, and the borrowing and interweaving between the ritual texts of Shigong(Sorcerers) religion and Taoism.
作者
杨声军
李祖胜
YANG Shengjun;LI Zusheng(School of music,Hunan Normal University,Changsha Hunan、410081,China;School of music,Central South University of forestry and technology,Changsha Hunan,410004,China)
出处
《贵州大学学报（艺术版）》
2021年第4期99-108,共10页
Journal of Guizhou University Art Edition
基金
中南林业科技大学研究生科创项目“湖南隆回花瑶'呜哇山歌'高腔技巧在男高音演唱中的运用”(项目编号:CX20192050)。
关键词
梅山
仪式
音声
抛牌
奏职
Meishan
ceremony
music and sound
Paopai
Zouzhi
