摘要
在中国古代器物美学思想中,“器”与“道”是紧密相关的。若“器”离开了“道”,便失去了其内在的生命力。因此,《西游记》中的兵器法宝并不是纯粹以形而下的“物”的形式出现在文本中。从美学意义上看,其折射出了作者在社会、文化、自身经历等多种因素综合影响下所形成的器物审美思想:尊崇阴阳之道,崇尚自然天道,崇拜神仙古道。
In ancient Chinese aesthetic thoughts of objects,objects and Tao were closely connected.Without Tao,the object would lost its internal life.So,in Pilgrimage to the West,the weapons are not only the objects,but with striking aesthetic thoughts comprehensively influenced by then society,culture and the author’s living experience,respecting Yin and Yang,the nature and the gods.
作者
翟梦兰
苏文清
ZHAI Meng-lan;SU Wen-qing(School of Humanities,Jianghan University,Wuhan 430056,China)
出处
《汉江师范学院学报》
2021年第4期28-32,共5页
Journal of Hanjiang Normal University
关键词
《西游记》
兵器法宝
美学思想
Pilgrimage to the West
weapons
aesthetic thought