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师范院校书法学专业内涵建设的三个着力点--从展厅书法的困境谈起

Three Points of Calligraphy Discipline Connotation Construction in Normal University--From the Predicament of Exhibition Hall Calligraphy
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摘要 在展厅陈列悬挂,是当代书法最主要的呈现方式。展厅书法,改变着书法的传统创作和欣赏方式,加速了书法文化的传播,也面临着内涵不足、群众审美滞后、竞赛性质等三重困境。师范院校书法专业以培养具有良好文化修养、明鉴赏、精技法、懂教育的应用型书法人才为目标,以展厅书法面临的问题为观照,从重视文化修养、擦亮师范底色、拓宽就业出路三方面着力,有利于师范院校书法学专业内涵建设。 Showing in exhibition hall is the main form of contemporary calligraphy,which changed the traditional creation and appreciation form of calligraphy and speed the spreading of calligraphy culture.However,it is also faced three predicaments of lack connotation,lagging mass aesthetic and competition nature.Calligraphy in normal universities and colleges takes cultivating applied talents of good culture cultivation,appreciation,skills and education,so we should learn from exhibition hall calligraphy,improve calligraphy discipline connotation construction from emphasizing culture cultivation,strengthening normal nature and extending employment chances.
作者 高常 GAO-Chang(School of Chinese Language and Literature,Hanjiang Normal University,Shiyan 442000,China)
出处 《汉江师范学院学报》 2021年第4期142-144,共3页 Journal of Hanjiang Normal University
关键词 展厅书法 困境 内涵建设 exhibition hall calligraphy predicament connotation construction
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