“集体”作为方法:影像艺术与社会参与

“Collectivity” as Method: Moving Image Art and Social Engagement

许多当代艺术家的实践表明艺术应该介入现实,并且在不断地协商并打破艺术感知力与社会现实的边界。艺术家、建筑师、哲学家、电影人和社会工作者之间的学科链接与知识协作在当下变得日益关键。本文通过研究2021年广州影像三年展"我们,集体"展览中的三位艺术家——奇拉·塔西米克(菲律宾)、田中功起(日本)、丹尼埃尔·G.安杜哈(西班牙),来解释"集体"在今天如何成为一种方法与立场,并讨论艺术家的"行动者网络"如何打破阶层、文化甚至意识形态的制度化缺陷。

Many contemporary artists, through their practices, have pointed out that art should move towards intervening into social realities. They negotiate and interrupt the boundaries between artistic sensibility and social reality. The connection between different disciplines and the collectivity of cultural practitioners such as artists, architects, philosophers, filmmakers, social workers and activists have become ever more crucial. Three representative artists of moving-image from the exhibition "Why Collectivity" for the Guangzhou Image Triennial 2021, Kidlat Tahimik(Philippines), Koki Tanaka(Japan) and Daniel G. Andújar(Spain), will be examined in this paper to discuss "collectivity" as a method and standpoint, and to understand how artists’ networks of action provide lively and dynamic alternatives to deconstruct the rigid forms of collectivity and to build different possibilities of reconnection.