《1921》:建党题材的创新与新主流大片的美学赓续

1921 : Innovation of Party Founding Theme and Aesthetic Continuation of New Mainstream Blockbusters

《1921》实现了对以往建党题材影视剧创作的超越,其实现超越的美学手段表现在将叙事的宏大性和日常性结合、对历史人物的个体化描绘、国际化视野的拓展和用新颖的电影语言营造出人物的心灵视像等方面。同时,该片也以展现建党的人民性内涵、营造扎实的情感内核、表现青春中国情怀等方式对建党主题进行深度和多元化诠释。该片显现出的主题深度,以及对悬疑、动作等类型的书写和创新,赓续了当下对中国电影转型发展具有重要助推作用的新主流大片的美学精神与风格。

The aesthetics of 1921 transcends the previous films and dramas on the theme of the Founding of the CPC by combining the grandeur of the narrative with the everyday, individualizing the portrayal of historical figures, expanding the international perspective, and using a novel film language to create a spiritual vision of the characters. At the same time, 1921 also presents the people’s connotation of the Founding of the CPC, creates a solid emotional core, and expresses the youthful Chinese sentiment, etc. to provide a deep and diversified interpretation of the theme of the Founding of the CPC. The depth of the film’s themes, as well as its writing and innovation in the genres of suspense and action, make it an aesthetic continuation of the new mainstream blockbuster that is an important catalyst for the transformation and development of Chinese cinema today.