香港电影进步意识的内植与形塑

The Implanting and Shaping of Progressive Consciousness in Hong Kong Cinema

香港电影创作出多维度、多类型、多层次的进步作品,在银幕上建构出契合民族情感、社会思潮、审美趣味的进步意识。本文借助意识形态理论,重新审视香港电影进步意识对左翼电影的道统传承、对意识形态的策略包装、对苦难历史的全面祛魅以及对创作观念的美学升维,归纳出香港电影进步意识高效灵活的"询唤"机制,印证香港电影进步意识在不同时期对海峡两岸暨香港和澳门乃至海外同胞思想联动、心理认同和家国感召的独特作用。

In its more than 100 years of development, Hong Kong cinema has created multi-dimensional, multi-genre and multi-level progressive works, which, by means of "implanting" and "shaping", have constructed a progressive consciousness on the Hong Kong screen in different periods that is in line with national sentiments, social trends and aesthetic interests. It has accomplished ideological linkage, psychological identification and national appeal to compatriots on both sides of the Strait, in Hong Kong and Macao, and even overseas. With the help of ideological theory, this paper hopes to re-examine the cultural production and development characteristics of progressive consciousness in Hong Kong cinema.