音乐学的学科边界及其学术生产形态问题研究

Research on the Boundary of Musicology and Its Academic Production Form

当前,随着后现代主义的出现,以及音乐人类学的研究与不断地实践,在音乐学学科的边界研究中出现了一定的变化与反思,这样的变化与反思最为突出的是对音乐学的研究对象--音乐概念的质疑,并由此产生出了音乐学学科边界难以界定的问题。为了厘清音乐学学科的边界,学界通过学科本体的角度来对音乐学学科边界进行追问,但难以解释音乐学的学科边界问题。从音乐学的下游--学科学术生产形态与特征的视角,可以明确音乐学学科的学术生产形态,进而厘定音乐学的学科边界。从学术生产形态的角度来看,音乐学学科可以界定为是以现有音乐概念,或与之相似的声音为主要研究对象,通过实际的音乐事实,依据研究的不同角度,将音乐事实的一般空间转译到语言时空中,用音乐与语言相互结构化的音乐语汇,将某一向度的共发的音乐事件以先后顺序、主次地位进行重组与重构,围绕着形态变量展开分析,进而得出结论的人文学科。

At present,with the emergence of postmodernism,as well as the research and continuous practice of ethnomusicology,there are certain changes and reflections in the boundary research of musicology.Such changes and reflections are most prominent in questioning the research object of musicology⁃the concept of music,and thus the boundary of musicology is difficult to define.The boundary of musicology is defined from the perspective of subject ontology,but it is difficult to explain the boundary of musicology.Therefore,from the perspective of the downstream of musicology,the academic production form and characteristics of the discipline,this paper defines the academic production form of musicology,and then defines the discipline boundary of musicology.From the perspective of academic production form,musicology discipline can be defined as taking the existing music concept or similar sound as the research object,translating the general space of music facts into the language space⁃time through the actual music facts and according to the different perspectives of research,and using the music vocabulary with mutual structure of music and language to take the common music events of a certain degree as the order,the primary and secondary status of reorganization and reconstruction,around the shape of variables to analyze,and then draw conclusions of the humanities.