诗•画・香港——论王无邪的现代主义创作

Paintings,Poetry and Hong Kong--On Wucius Wong's Modernist Creations

1950年代的香港现代主义思潮覆盖了文学与美术两大领域,而诗人、画家王无邪则是现代主义诗画合流的代表性人物。他是1950年代香港现代诗的发起人之一,也是革新水墨画的先驱。在他早期诗歌《一九五七年春·香港》中出现的"由天观地"的超越视角,不仅是理解其现代诗的关键,也是其绘画会通中西风格的结构性因素。文学与美术的跨界互动、现代主义世界思潮与香港城市文艺的交织,为王无邪的现代主义艺术实践提供了横的移植,也提供了纵的继承。

The modernist trends in Hong Kong in the 1950 s has influenced the two fields of literature and art, of which Wucius Wong is representative, combining the confluence of modernist poetry and painting, as one of the originators of modern poetry in the 1950 s Hong Kong as well as a representative of the innovative ink paintings. The transcendental vision of looking at the earth from the sky, in his early poem,‘Spring, 1957, Hong Kong’, is a key to understand his modern poetry and also a structural element in unifying the Chinese and Western styles of his paintings. The border-crossing interaction of literature and aesthetics, the interweaving of the trends of the modernist world with the urban arts of Hong Kong have provided Wucius Wong’s modernist art practice with a thwart transplantation as well as a vertical inheritance.