论方路的跨界书写--从诗到奈米小说:在地的创作实践

On Fang Lu's Border-crossing Writing--From Poetry to Nanofiction:the In-situ Creative Practices

当代马华文坛作家中,方路是近年来多产的一位。从1993年他以微型小说得奖之后,1999年出版第一本诗文集直到2017年出版奈米小说集《我是佛》为止,诗、散文和小说集前后共有八册。在他的创作历程中,有两个特点值得关注:一是他跨类创作的不停尝试,风格渐次转变,已自成一格;其次是他的地志书写,在马华文坛中已独树一帜。本文主要从作家论的角度,探讨作者的生命史和创作历程的结合。从作者自身的经历"家乡-留台-归乡"(大山脚/东海岸-台湾-吉隆坡),形成了他的创作主题。空间的漂泊和他对文学启蒙与接受的过程(写实主义-现代主义-魔幻/写实/浪漫主义)息息相关。本文以他为研究对象,尝试从作家论的角度探讨方路书写的可能性。

In the world of letters among the Chinese Malaysian writers,Fang Lu has been quite productive in recent years,having published eight books of poetry,prose and fiction,from 1993 when he won an award with his micro-fiction,through 1999 when he published his first book of prose and poetry,to 2017 when he published his collection of nanofiction,I Am Buddha.In his creative career,two characteristics deserve attention,one in which he keeps experimenting with his style that has now turned into one of his own and the other in which his localized writing is unique in the Chinese Malaysian world of letters.This paper is an exploration of the combination of the author's living history with his creative process,based on his own experience from home through his stay in Taiwan to his return to home(Bukit Mertajam/East Coast-Taiwan-Kuala Lumpur),forming the themes for his creation.Drifting in space and the process of his literary enlightenment and acceptance(realism—modernism-magic/realism/romanticism)are closely related.Based on him as an object of research,this paper attempts to explore the possibility of writing by Fang Lu from the angle of the auteur theory.