对于语言符号的再思考:张大春《大唐李白》中的“诗论小说化”现象

Rethinking Signs of Language:The Poetic Comments on Fiction in Li Bai in the Great Tang by Chang Ta-Ch'un

张大春的先锋性及小说魅力,很大程度上源于其不懈的文体创新及贯彻始终的对于语言问题的探求。本文提出并详细阐释《大唐李白》中的"诗论小说化"现象,认为《大唐李白》以其开创的"诗论小说化"形式融合其对于语言符号的全新思考,成为张大春近年来里程碑式的作品。以"诗人-诗歌-时代/历史"为主要叙事线索,以诗论参与叙事,张大春还原并想象了诗人与时代之间的双向互动关系。同时,借三场诗论以建构李白诗艺形成的三个阶段,张大春也首次尝试在历史层面为语言寻找出路。那出路在庙堂之外的乡野,在严整之外的自由,在法度之外的"有情"。

Chang Ta-Ch'un's avant-gardism and fictional appeal come,in the main,from his indefatigable genre innovation and exploration of language issues right from the beginning to the end.In proposing and explicating the poetic comments on fiction as present in Li Bai in the Great Tang,this paper is of the opinion that the poetic comments on fiction as created by Chang have integrated with his brand-new thoughts on signs of language,with the novel becoming a milestone of his in recent years.With the‘poet-poetry-age’ as the main narrative thread,and poetic comments as part of the narrative,Chang imagines the two-directional interactive relationship between the poet and the times even as he returns them to the origin while,at the same time,three discussions of poetry lead to the construction of three stages in the formation of Li Bai's art,the first attempt Chang made in seeking a way out on the historical level,which exists outside the temple,with freedom outside the order and feeling outside the law.