摘要
事件文论已成为当代文论的重要组成部分。它直接受到事件思想这一晚近人文学主题的影响,将其“动变与转化”内涵运用于文论。就基本内容而言,事件文论不是简单重复人类思想方式进入20世纪后逐渐从静态向动态演进这一前提,而是以此为基础,强调动变与转化在文学艺术上的差异性与异质性,以及独异性力量的介入与冲击。这是以往文论研究所普遍重视不够的。在发生学层面上,事件文论发生于语言论/反语言论/非语言论这条三元交织的主线中。在形态学层面上,事件文论则呈现出复调特征,即在意识、历史与语言三个层面上,不同程度地融渗了精神分析、现象学、存在论、解释学、过程哲学、技术哲学、符号学与话语政治及其生命形式、后结构主义与解构主义等当代思想,并不断形成相互之间的论争关系,而客观上带出了一部以事件为核心、从内在丰富张力中获得清晰图形的前沿文论史,为我国当代文论朝向后理论范式的研究标示了学理推进的新生长点。
Event-oriented literary theory has become an important part of contemporary literary theory.It is directly influenced by the event thought,which is the theme of modern humanities,and applies its connotation of“dynamic change and transformation”to literary theory.As far as the basic content is concerned,it does not simply repeat the premise that the human way of thinking gradually evolved from static to dynamic after entering the 20th century,but on this basis,it emphasizes the difference and heterogeneity of dynamic change and transformation in literature and art,and the intervention and impact of singularity.This is generally not paid enough attention to by the literary theory research institute in the past.On the genetic level,it occurs in the ternary intertwined main line of language/anti-language/non-language.On the morphological level,it shows the characteristics of polyphony,that is,on the three levels of consciousness,history and language,it permeates contemporary thoughts such as psychoanalysis,phenomenology,existentialism,hermeneutics,process philosophy,philosophy of technology,semiotics and discourse politics and its life form,post-structuralism and deconstructionism,and continue to form controversial relations with each other.Objectively,it brings out a cutting-edge history of literary theory,which takes event as the core and obtains clear graphics from the inherent rich tension,which marks a new growing point for the study of the post-theoretical paradigm of contemporary literary theory in China.
出处
《学术研究》
CSSCI
北大核心
2021年第8期154-164,188,共12页
Academic Research
基金
国家社科基金后期资助项目“理论之后的写作机理与汉语因缘研究”(19FZWB021)
上海市曙光人才项目“事件论美学的形成机理研究”(16SJ27)的阶段性成果。