论电影 《一秒钟》 的“白日梦中梦”

“The Dream in a Daydream”of the Film One Second

影片《一秒钟》以胶片电影在数字电影中的再媒介化的方式,展示了主人公张九声追梦、入梦、出梦的全过程;通过银幕内外观众的观看互动形成了其独特的“白日梦中梦”结构,将原媒介从原来既定的语境当中剥离了出来,进行互文式展览,从而使观众脱离一种单纯的“电影状态”,营造出一种新的观看氛围。在这种新的银幕氛围之中,观众的观影体验感从单一封闭的沉浸感知转变为一种“在场”的参与体验,他们由此开始介入到影片的叙事之中,而正是在这种介入实践上,影片才得以在观众与电影文本之间建立起一种新的视觉互动关系。

The film One Second shows the whole process of Zhang Jiusheng pursuing a dream,falling into a dream and breaking a dream,in a way that re-mediates a photographic film into a digital film.The film has formed its unique"the dream in a daydream"structure through the interaction between the film audience and the film screen,which separates the original media from the original context and presents an intertextual exhibition,thus making the audience break away from a pure“cinematic state”and creating a new viewing atmosphere.In this new screen atmosphere,the audience has changed from a single closed perception of the film image to a“presence”participation experience,the audience began to get involved in the narrative of the film,on this intervention practice,the film can establish a new visual interaction between the film audience and the film.