摘要
谜题电影是后现代时代断裂式文化与多元碎片时空下的产物,正逐渐成为后现代电影叙事的一种新趋势。首先,谜题电影打破传统叙事模式,重构叙事时空秩序的非线性叙事结构,形成不可靠叙事,使电影变得艰涩难懂,产生复杂化叙事效果。其次,谜题电影设置题眼,鼓励观众寻找题眼、参与叙事,使电影充满开放性、游戏性。再次,谜题电影重构时空,情节错综复杂,引发剧中人甚至观众对身份、真相的哲理性探寻。谜题电影是电影叙事走向狂欢化的过程,也是解除后现代电影叙事危机路径的成功探索。
Puzzle films are the product of the fractured culture and multiple fragments of time and space in the postmodern era,and is gradually becominga new trend of film narrative in the post-modern era.Puzzle films break the traditional narrative mode,reconstruct the nonlinear narrative structure of the narrative order of time and space,and form an unreliable narrative,which makes the movie difficult and difficult to understand and produce a complicated narrative effect.Secondly,puzzle films set keyholes to encourage the audience to look for keyholes and participate in the narrative,making the movie full of openness and game.Finally,the puzzle films reconstructs time and space,and the plot is complicated,which triggers the characters and even the audience's philosophical search for identity and truth.Puzzle films are the process of film narrative to carnival,and it is also a successful exploration to solve the crisis path of post-modern film narrative.
作者
樊晓君
FAN Xiao-jun(School of Communication,Shanxi Normal University,Linfen,Shanxi 041004)
出处
《艺术百家》
CSSCI
北大核心
2021年第4期135-140,共6页
Hundred Schools In Arts
基金
2020年度山西省社科联重点项目“爱德华·阿尔比与中国当代戏剧之关系研究”(项目编号:SSKLZDKT2020054)阶段性成果之一。