明代雅集图中山水图像的空间建构

The Spatial Construction of Landscape Images in Scholar Collection in Ming Dynasty

雅集图是以文人雅集为题材的中国传统绘画。这种题材有着悠久的历史传承,到了明代,更是有大量的画家参与到雅集图的创作中。雅集图除了画面中需要表现的雅集活动外,所构建的空间也很是独特,特别是山水图像在雅集图的空间建构中起了很大的作用,形成了“山水-雅集”的空间范式。明代雅集图一方面承续了这种传统的空间范式,在母题流传下来的空间框架中进行模仿与再次创作,使得不同母题的雅集图所展现的空间具有各自的典型性;另一方面,除了传统母题,纪实性的雅集图使得山水图像在空间建构上更具有叙事性。明代雅集图从母题的空间模仿与创作到纪实性的空间叙事与表达,再到山水空间在雅集图中的凸显,在发展过程中,山水图像愈加抒情,逐渐从现实的场景中抽离出来,与雅集活动共同符号化,赋予了空间特殊的意蕴和时代的特征。

Scholar collection is a traditional and historical Chinese painting which sets literati as the theme,while a large number of painters have participated in the creation in the Ming Dynasty.Meanwhile,the spatial construction is quite unique except for the elegant activities and events.In particular,landscape images play a very important role in the spatial construction,forming the spatial paradigm of"landscape-Scholar collection".On the one hand,it has inherited the traditional space paradigm in the Ming Dynasty,imitating and recreating the space frame handed down by the motifs,which made the displayed space in different motifs have their own typicality.On the other hand,this documentary makes landscape images more narrative in space construction except for traditional motif.From the spatial imitation and creation of motif to the spatial narrative and expression of documentary reality,then to the prominence of landscape space in the scholar collection paintings in the Ming Dynasty,landscape images become more lyrical in the process of development,which have gradually separated from the real scene,symbolized together with the elegant activities,and endowed the space with special epochal implication and characteristics.