现代主义绘画的多视点平面与物性空间的凸显

Multi-View Plane in Modernist Paintings and Highlighiting of Physical Space

现代主义绘画抵制对外在自然和人类场景的再现,力图回到绘画本身,并以多视点的平面建构自身的物性空间。首先,现代主义绘画自觉地抵制透视建构的深度空间和物象的体量,从而超越三维空间营造的幻象,凸显感性平面的物质形式,力图摆脱成为物质能指的命运。其次,现代主义绘画颠覆了焦点透视的等级性空间,呈现一个具有多样性和统一性并存的多视点空间。这样的画面抵制物质能指的线性阅读模式,为观者提供了自由观看的机遇。最后,现代主义绘画运用视觉元素的一致性和对比性,构建了一个由张力形成的效果化空间。这种张力的效果不可被语言陈述,只能被身体体验。身体的介入最终使多视点平面呈现出物性审美的意义。

Modernist painting resists the reappearance of external natural and human scenes,tries to return to the painting itself,and constructs its own physical space in a multi-view plane.First of all,modernist paintings consciously resist the depth space and object image volume constructed by perspective,so as to transcend the illusion created by three-dimensional space,highlight the material form of the perceptual plane,and try to get rid of the fate of becoming a material signifier.Second,modernist paintings subvert the hierarchical space of focus perspective and presents a multi-view space with coexistence of diversity and unity.Such a picture not only resists the linear reading mode of the material signifier,but also provides the viewer with the opportunity of free watching.Third,modernist paintings use the consistency and contrast of visual elements to build an effectual space formed by tension.The effects of this tension cannot be stated by words,but can only be experienced by the body.The physical intervention finally makes the multiview plane present the physical and aesthetic significance.