傅抱石绘画美学的民族性

Nationality of Fu Baoshi’s painting aesthetics

作为20世纪中国绘画发展的引领者,傅抱石一方面继承了“尚古”的民族审美传统,以古为新、以形写意,开拓了古朴雅正的艺术审美空间,彰显了民族绘画的诗意追求;另一方面,其延续了“文、人、画”的传统绘画精神,坚持文为人而化、画因人为美的观念,结合民族抗战现实,创造性地对传统笔墨技法进行革新和改造,形成了影响深远的“抱石皴”。显然,傅抱石的绘画美学在总体上体现出民族性品格,也凸显了其作为人民艺术家的文化自觉。

As a leader in the development of Chinese painting in the 20th century,Fu Baoshi,on the one hand,inherited the national aesthetic tradition of"advocating the ancient",taking the ancient as the new and freehand brushwork with form,opened up a simple and elegant artistic aesthetic space,and demonstrated the poetic pursuit of national painting;On the other hand,it continues the traditional painting spirit of"literature,people and painting",adheres to the concept of literature for people and painting for human beauty,and creatively innovates and transforms the traditional brush and ink techniques in combination with the reality of the national anti Japanese War,forming a far-reaching"baoshicun".Obviously,Fu Baoshi’s painting aesthetics reflects the national character on the whole,and also highlights his cultural consciousness as a people’s artist.